Recent and upcoming:
June 18th, 2024, University of Amsterdam
hosted by the Netherlands Institute for Cultural Analysis
Precarious Collections and Data Colonialsm
A Masterclass with Ofri Cnaani and Annet Dekker
Followed by
Digital Afterness: A public talk by Ofri Cnaani
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June 4th, Centre for Critical Data Practices, Aarhus University
Troubling the Lifecycles of Data
Critical Data Practices: Remaking Data Archives, Subjects and Technologies
Symposium
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May 2nd, 2024, University of Applied Arts Vienna
MUSEUMS AS COMMONS: Digital Strategies to Reappropriate the Public Sphere
Lecture by
Ofri Cnaani: From Practice To Commons
followed by a Panel discussion with
Petra Schaper Rinkel, Ofri Cnaani, Julienne Lorz
and Nora Sternfeld
Moderated by
Martina Griesser-Stermscheg
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5–17 August 2024, Salzburg Summer Academy
The Space between Us: somatic knowledge and new techno-spatial scopes
Two-weeks summer course at Salzburg Summer Academy
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August 8th, 2024 at Generali Collection / Museum der Moderne
As part of Salzburg Summer Academy‘s Public Program, curated by Maayan Sheleff
Listen to it like you haven’t been born yet, tell it as you are still in the surrogate womb.
How deeply are we attuned to the technological systems we place ourselves in, and we place in ourselves? The program will focus on the role of platform capitalism in shaping and orienting user bodies, gender and sexuality. Combining performance, participatory experience and live podcast, the evening will bring together artists Agnė Jokšė and Ofri Cnaani, and researchers-creators Carmen Lael Hines and Morgane Billuart. Agnė Jokšė works with words. They are currently creating a non-binary Lithuanian language and use performance to explore queerness and language. Jokšė will present Lezbynai (2020), an erotic story about lesbian love in the background of the Lazdynai district where the artist grew up. Artist Ofri Cnaani will lead the audience in Stories from the Surrogate Womb, an exploration of the Generali collection / Museum der Moderne(?? Location dependent) that focuses on the idea of somatic listening. The performance is a personal wandering through call-and-response prompts and allows participants to re-experience familiar or unfamiliar sites in the collection through the notion of choreographic listening.
Carmen Lael Hines and Morgane Billuart's recent research and writings focus on the fast-growing industry of Femtech, a term which describes the software, products and digital services that focus on female health. In their performative lecture and live podcast recording, Girlemployee, Billuart and Hines use podcasts as a performative medium for presenting research and discussing the history of critiquing platforms via platforms. Together with the audience, they ask when the podcast becomes a space for articulating alternative knowledge-making structures. How do podcasts appeal to the temporalities of post-capitalist time-keeping – voices that feed you information as you move from one location to the other?
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Choreographic Devices 2023
TU Wien
Choreographic Devices 2022
December 6th, 2016
Public Performance and Social interventions
Public Art Course, School of Visual Arts
January 28th, 2106
Compare and Contrast, lecture performance at the Tel Aviv Museum of Art, Helena Rubinstein pavilion
January 29th, 2016
Museum is a School
Talk at Haifa University, MFA program
Fall 2016
The Fourth Dimension: Video Space and the Broken Screen at SVA
February 25th, 2015
Artist Talk and studio visits at Hunter MFA (my alma mater)
February 11th, 2015
Studio visits at New York Studio Residency Program (AICAD)
School of visual Arts, New York
check out my SVA Profile
City as Site: Public art as Social Intervention
I'm the coordinator and serve as a core faculty at the new SVA residency, City as Site: Public Art as Social intervention.
for more info, check out SVA site
or our dedicated site:
https://www.sva.edu/special-programs/summer-residency-programs/public-art/city-as-site
https://cargocollective.com/svacitysite
SVA : Critical and Visual studies / continuing Ed courses:
Sites Unseen: Memory, Place and Identity
The Fourth Dimension: Video, Space, and the Broken Screen
International Center of Photography
The Photographic Image In Space: Photography, Video and Installation