Fall 2024
October 3, 2024 – January 31, 2025:
Ofri Cnaani: The Contactless Condition
Exhibition Research Lab (ERL), Liverpool
Exhibition Research Lab is delighted to present the first UK solo exhibition of artist and researcher Ofri Cnaani: The Contactless Condition, curated by Or Tshuva.
the exhbtion features four of my most recent projects created since 2020. Developed during the onset of a global pandemic and its subsequent crises, this selection of artworks – spanning video, sound, and photographic installations – raises questions of access, power, and tangibility while suggesting an expanded understanding of the ‘Contactless’ not merely as a technological solution, but as an emerging living condition.
_______________________________________________________________
23. - 26. October 2024
AFTER MEMORY - Recalling and Foretelling across Time, Space, and Networks
Center for Art and Media - ZKM
orgenized by Nathalia Lavigne, Víctor Fancelli Capdevila and Lisa Deml
_______________________________________________________________
October 19th, 2024
Live Line, a four hours perfromance at the Herzlyia Museum of Art
_______________________________________________________________
Summer 2024:
Museum der Moderne Salzburg
School of Listening: (Im)possible Conversations
22.07.2024 — 15.09.2024
Curators: Maayan Sheleff (guest curator) with Christina Penetsdorfer
School of Listening is the title of this year’s program of events at the Salzburg International Summer Academy of Fine Arts. The program was developed by guest curator Maayan Sheleff and is dedicated to listening differently.
With works by Ofri Cnaani, Thalia Hoffman, Stav Marin, Samira Saraya, Neta Weiner, and Manar Zuabi as well as works from the Generali Foundation Collection – permanent loan to the Museum der Moderne Salzburg by Joan Jonas and Peter Tscherkassky
![]()
![]()
School of Listening is the title of this year’s program of events at the Salzburg International Summer Academy of Fine Arts. The program was developed by guest curator Maayan Sheleff and is dedicated to listening differently.
With works by Ofri Cnaani, Thalia Hoffman, Stav Marin, Samira Saraya, Neta Weiner, and Manar Zuabi as well as works from the Generali Foundation Collection – permanent loan to the Museum der Moderne Salzburg by Joan Jonas and Peter Tscherkassky
Agust 5th-18, 2024
I will be teaching a two-weeks course at the Salzburg International Summer Academy of Fine Arts
The Space between Us: somatic knowledge and new techno-spatial scopes
8.8.24
Salzburg International Summer Academy of Fine Arts and Museum der Moderne, Salzburg:
Listen to it like you haven’t been born yet, tell it as if you are still in the surrogate womb
Ofri Cnaani with Agnė Jokšė, Carmen Hines and Morgane Billuart.
How deeply are we attuned to the technological systems in which we place ourselves, and which we place in ourselves? The programme will focus on the role of platform capitalism in shaping and orienting user bodies, gender and sexuality. Combining performance, participatory experience and live podcast, the evening will bring together artists Agnė Jokšė and Ofri Cnaani, and researchers-creators Carmen Hines and Morgane Billuart.
The event is part of Public programme for the 2024 Salzburg International Summer Academy, School of Listening orgenized by Maayan Sheleff
and School of Listening: (Im)possible Conversations exhbtion at Museum der Moderne
Curated by Maayan Sheleff (guest curator) with Christina Penetsdorfer
August 2, 2024
Choreographic Devices
co-orgnized by Murat Adash, Ofri Cnaani, Edgar Schmitz, Sara Sassanelli
Choreographic Devices is an annual event series that activates the choreographic as a methodology for trans-disciplinary forms of inquiry and rehearsal. Bringing together contributors from across an expanded ecology of practices, this multi-format forum speculates on and with choreographic arrangements and their complex modes of co-production. Choreographic Devices tests how material assemblages, organisational forms, and modes of being alongside each other might be choreographed otherwise.
For our first Vilnius iteration I co-hosted with Vaida Stepanovaitė
A habit is a form. A thought is a form. A friendship is a form.
Ofri Cnaani and Vaida Stepanovaitė with Agnė Jokšė, Esther Siddiquie, Paveldo institutas, OMSK Social Club, Tarren Johnson and Joel Cocks.
The anonymous collective Invisible Committee once suggested that in times of multiple breakages, we need mutable forms, not affixed institutions. Life, they say, whether biological, singular, or collective, is a continual creation and interaction of forms: ‘A habit is a form. A thought is a form. A friendship is a form.’ Artist Ofri Cnaani and curator Vaida Stepanovaitė invited artists and collectives to rethink social and institutional spaces as inherently choreographic acts and to weave potential openings in their operations. Together, they will respond with short interventions using text, voice, image, and movement. A series of offerings will explore the form’s momentum and its inseparability from other configurations through methods of doing rather than knowing and poke at the calcified imaginaries and structures of knowledge.
_______________________________________________________________
June 18th, 2024, University of Amsterdam
hosted by the Netherlands Institute for Cultural Analysis
Precarious Collections and Data Colonialsm
A Masterclass with Ofri Cnaani and Annet Dekker
Followed by
Digital Afterness: A public talk by Ofri Cnaani
_______________________________________________________________
June 4th, Centre for Critical Data Practices, Aarhus University
Troubling the Lifecycles of Data
Critical Data Practices: Remaking Data Archives, Subjects and Technologies
Symposium
_______________________________________________________________
May 2nd, 2024, University of Applied Arts Vienna
MUSEUMS AS COMMONS: Digital Strategies to Reappropriate the Public Sphere
Lecture by
Ofri Cnaani: From Practice To Commons
followed by a Panel discussion with
Petra Schaper Rinkel, Ofri Cnaani, Julienne Lorz
and Nora Sternfeld
Moderated by
Martina Griesser-Stermscheg
_______________________________________________________________
5–17 August 2024, Salzburg Summer Academy
The Space between Us: somatic knowledge and new techno-spatial scopes
Two-weeks summer course at Salzburg Summer Academy
_______________________________________________________________
August 8th, 2024 at Generali Collection / Museum der Moderne
As part of Salzburg Summer Academy‘s Public Program, curated by Maayan Sheleff
Listen to it like you haven’t been born yet, tell it as you are still in the surrogate womb.
How deeply are we attuned to the technological systems we place ourselves in, and we place in ourselves? The program will focus on the role of platform capitalism in shaping and orienting user bodies, gender and sexuality. Combining performance, participatory experience and live podcast, the evening will bring together artists Agnė Jokšė and Ofri Cnaani, and researchers-creators Carmen Lael Hines and Morgane Billuart. Agnė Jokšė works with words. They are currently creating a non-binary Lithuanian language and use performance to explore queerness and language. Jokšė will present Lezbynai (2020), an erotic story about lesbian love in the background of the Lazdynai district where the artist grew up. Artist Ofri Cnaani will lead the audience in Stories from the Surrogate Womb, an exploration of the Generali collection / Museum der Moderne(?? Location dependent) that focuses on the idea of somatic listening. The performance is a personal wandering through call-and-response prompts and allows participants to re-experience familiar or unfamiliar sites in the collection through the notion of choreographic listening.
Carmen Lael Hines and Morgane Billuart's recent research and writings focus on the fast-growing industry of Femtech, a term which describes the software, products and digital services that focus on female health. In their performative lecture and live podcast recording, Girlemployee, Billuart and Hines use podcasts as a performative medium for presenting research and discussing the history of critiquing platforms via platforms. Together with the audience, they ask when the podcast becomes a space for articulating alternative knowledge-making structures. How do podcasts appeal to the temporalities of post-capitalist time-keeping – voices that feed you information as you move from one location to the other?
_______________________________________________________________
Choreographic Devices 2023
TU Wien
Choreographic Devices 2022
December 6th, 2016
Public Performance and Social interventions
Public Art Course, School of Visual Arts
January 28th, 2106
Compare and Contrast, lecture performance at the Tel Aviv Museum of Art, Helena Rubinstein pavilion
January 29th, 2016
Museum is a School
Talk at Haifa University, MFA program
Fall 2016
The Fourth Dimension: Video Space and the Broken Screen at SVA
February 25th, 2015
Artist Talk and studio visits at Hunter MFA (my alma mater)
February 11th, 2015
Studio visits at New York Studio Residency Program (AICAD)
School of visual Arts, New York
check out my SVA Profile
City as Site: Public art as Social Intervention
I'm the coordinator and serve as a core faculty at the new SVA residency, City as Site: Public Art as Social intervention.
for more info, check out SVA site
or our dedicated site:
https://www.sva.edu/special-programs/summer-residency-programs/public-art/city-as-site
https://cargocollective.com/svacitysite
SVA : Critical and Visual studies / continuing Ed courses:
Sites Unseen: Memory, Place and Identity
The Fourth Dimension: Video, Space, and the Broken Screen
International Center of Photography
The Photographic Image In Space: Photography, Video and Installation